I have now moved across the canvas and pretty well established what I want where. Next I will begin fine tuning my darks and lights and hopefuly make them all work together.

I was asked about my technique on doing Gouache watercolors on my FIREHOLE RIVER posting and thought I would post an explanation about "my" way.
I did this particular painting on 300# Arches Watercolor paper. For some paintings I find it works pretty well and on others it drives me crazy and wonder why I chose it. My favorite and most used is #1 illustration Board by Arches that I can only find at Dick Blick. My last posted Painting-a-Day blog, ABOVE RAMSHORN RANCH, was paintied on Illustration Board. I was on a roll and did it in 45 minutes though that is the time frame I try to do most of my paintings on that blog. In doing workshops it amazes me to print out a materials list and ask for illustration board and a few folks show up with any of an assortment of watercolor papers. I always bring a few sheets[30"x40"]along and try selling off various sizes but always take a beating on that. With great expectations in mind folks try out my technique and are quickly discouraged. It seems easy but takes some getting used to.
I use all transparent watercolors and use them with White Gouache. Gouache watercolors areavailable but they are a little too flat looking for my taste. I used to use them a lot for book and magazine illustration as they work great for reproduction work. I just like the ability to use some transparancy here and there on a painting. It is easiest [and so hard for the beginner]to think of the paints more as oils than watercolors. It is shocking for the uninformed to see me mixing my watercolor paints with a pallette knife onto my Porceline pallette. The amount of water used is important as A lot of dry brush work is involved. The true beauty of it all is that you can paint dark over light and light over dark. The trick is to do it when dry or mud is the result. That is the hardest thing for the beginner to figure out. It is important, I think, to keep in mind good color theory as you work with these as with watercolor there is a point where too much paint can get one into trouble. As with my oils, I have a preconceived idea pretty much of where I want the painting to go and work from left[I am right handed]to right. From top down and from back to forward. I used to use an electric eraser to fix glaring mistakes but as the years have gone by I have gotten used to not painting myself into that corner. This technique can be very frustrating for the beginner but I tell all my students in workshops and the Wilderness Pack trip Paint-outs I used to do to do 100 paintings and then look back at #1 and see how much they have learned.
Don't make the mistake as some workshop folks have done and get Chinese White. It won't work. I really like the large[huge]tube of Gouach White by Pebeo that I can only find through Cheap Joes. Another beauty of the paints is that they can be rewet after being dry no matter how old. The whites though will have to be worked on a little as they get a little grainey but can be revived. A perfect tool for rewetting paints is the little bugger getters found in the baby section at your favorite Dept Store.
In my last posted Painting-a-Day blog, FROM RAMSHORN RANCH, I did use the white of the illustration board showing through as in a transparent painting in palces but a lot of opaque also. This give a shimmer of light in wanted places.
If I have missed anything and you have questions please feel free to e-mail me or comment on this posting.

I continued work for the better part of the day on my Early Fall Glade. Today I have continued on working top to bottom and from left to right, doing a little detail as I go

Firehole Evening.

14"x21" Gouache Watercolor Painting.

I think I am pretty well finished with this Gouache painting depicting one of the many wonderful meadows along the Firehole River between Old Faithful and Madison Jct in Yellowstone National Park. I have included a few grazing Bison so prevalent in this area. It is late fall and snow all ready is on the eastern and northern slopes where it is protected from the sun. It will be there till spring.

I spent a few hours saturday working on this painting going from background forward and from upper left to lower left and then to the right. I have a preconceived notion of what I want this painting to look like and will progressively work that way then go back and touch up values, detail, and textures to hopefully pull it all together.

With fresh snow and colder temperatures outside I have jumped onto a painting I have been playing with in the back of my mind and am a little excited about from some photos I took early in September. On a 16"x20" canvas I have laid in Acrylic paint planning out my colors and lights and darks somewhat. I will now go to Oils for the final painting.

I have spent several days working on this 10"x20" Oil Painting, FROSTED MEADOW, dipicting a snow covered irrigated meadow from the Riverton, Wyoming area. In my Painting-a-Day blog I did a frosted tree scene and a good artist friend of mine from Riverton asked if I was going to do some more of that kind of thing. So here it is. Winter in the Riverton area is a deep freeze all winter with subzero temperatures the norm. Fog collects in the valley and freezes on everything making a surreal world of real beauty and challenging scenes for the artist. I shot a number of photos last month that I would like to do some more work from.

As I was waiting for my Desert Anvil painting to dry I have begun this Gouache Watercolor Painting, 14 1/2"x21 1/2" depicting the Fire Hole River in Yellowstone. This is a return to my Yellowstone project. I have in mind to put some grazing Buffalo across the river on the left. I have blocked in the painting and begu detailing the backlit mountain ridge and the trees in the back. Now for the river and fore grasses as well as the Buffalo.

I have pretty well put the finishing touches to my Oil Painting, 12"x24" Desert Anvil.

After a pretty fruitful day this is where I am on my Arizona Anvil cloud. Am pretty well working on the vegetation and remembering my times in the desert. Great hikes and country and ever mindful that everything out there bites.
Several years ago a number of aritst friends and myself gathered at a Scottsdale restaurant for dinner and while waiting outside for a table observed several kids playing around a Saguaro that was in the courtyard. I told those kids that it would bite if they were not careful. Kids being kids one little boy just had to touch the trunk. Sure enough it bit. In tears I think he learned a desert lesson.

I spent yesterday painting in oils on my thundercloud. As is my technique, After I have blocked in my painting I have a pretty good idea about where I want to take it and therefor begin painting usually from top to bottom. From back to forward and from left to right. After I pretty well have the painting painted I will go back in and touch up this or that to hopefully make it all come together.

I have started another of my Arizona Paintings and this one will be 12"x24" Oil painted on a Ray Mar Canvas panel. I have layed in a coat of Acrylic just to get my idea down which will feature this anvil Thundercloud in early evening. Across the expanse I will include a number of desert species such as the Saguaro, Palo Verde and others.

I think I have finished my vertical Grand Canyon painting. Still spending some time looking at the light colored hill in left side just below middle. The actual geology consists of a change from iron tinted red hillside to the yellowish color. I liked it in my reseach as it balanced out the whiter colors of the limstone faces on the horizon. Now I'm not sure. Maybe I am being a little too hard on my judgement?

Went to my Therapy Doc this morning and took my first steps without crutches yesterday. Painful but I did it. Was a cold morning to be out in moccasins at -26 but the sky is blue after 3" snow yesterday. Off to Casper today to see my regular Doc and x-rays tomorrow to see how the heel is healing. Hope the roads aren't too slick as it is 200 miles of hiway driving.

After a day of painting on my Grand Canyon piece. I have pretty well put in my background except for tweaking after I finish the cliff face on the right today.

I have started this painting which is on of my Arizona series I am working on [see painting-a-day]This is a scene from the Grand Canyon down along the walls looking eastward. It is on Ray-mar canvas. 10"x20". I thought it challenging to do a vertical scene and have begun with an acrylic underpainting getting my drawing down and kind of map of where I want to go with the mood and all. I will now begin painting in Oils using a thinned liquin as a medium.

Checking on them at various times I caught one of our welfare Cottontails which for awhile seemed to amuse our two lay-a-bouts. What with the daily carrot this fellow gets he probably sees in the dark quite well.

One of the really cool things about being a Wildlife and Landscape artist is the encounters I have with critters. Sometimes right under my Living room window such as these two fawns from last summer who still seem inseperable as they lay about my yard for the better part of yesterday afternoon.

I have been working on this Oil Painting, SHOSHONE WINTER, 20"X30", for about a month off and on. It is one of my Yellowstone series I am working on. I have not put any wildlife into it but am still considering doing so. It depicts the North Fork of the Shoshone River that headwaters for the most part in the Yellowstone eastern border area and flows eastward towards Cody, Wyoming. The Indians and early mountain men refered to this river as the Stinking Water River. As it flows through the Cody area it picks up a lot of Hydrogen Sulfide gases which in high quantities can be deadly but otherwise smells like rotten eggs.

None the less it is a beautiful Stream and in winter is very clear. Spring runoff at lower elevations can be high, roiling and muddy.

The real challenge in this painting was the trees on the mountain slopes. How to make them look realistic without being too contrived or taking over the painting.

Since I had talked a little bit about my framing options I thought I would post this pix of EMERGING GRIZZLY with the frame I have picked. I cut a 3/4" fabric mat that I have as a liner. If I stay with this option it would be best to glass over the painting and mat. I have not decided yet so I have not applied any varnish to it. If I do varnish it I will have to delete the mat option and either build a 3/4" liner or will have to paint the painting on all 4 sides another 3/4" as I had masked off that much in anticipation of using the mat. Not really that difficult with gouache just a little more time consumption on my part.

I am at the point that I am calling this painting finished. After a few days of looking it over I may tweek a few things here and there. I hope I have satisfied Les and have gotten rid of the pasted on look. EMERGING GRIZZLY 15"x21 1/2" Gouache Watercolor Painting

In between working on my grizzly I have several other oil paintings I am working on such as this 8"x10" painted on Ray Mar canvas.

I was asked about the varnish I use for my watercolors[gouaches]
I like 3-4 coats of spray fixative like Krylon UV resistant Clear Matt or Gloss. That is a preferance for individual taste. Some artists I know will even add a coat of UV Varnish brushed on or sprayed on afterwards. That would be to an artists taste but I don't.

Another day working on my Grizzly. I am trying to get the lighting on the Bear so he stands out and working on the Sage. Same problem-trying to adjust the values and get it to all work together.

I worked pretty diligently on this painting Christmas Day till about 3:00 when my wife and I took a trip up to the Sheep Range to check out the Bighorns.[Will be posting that on my Outdoor Adventures]On my last post Susan Roper asked about my background color. I used a mixture of Ultramarine Blue and Neutral tint. At times for something like this I will use Indigo. I have kind of established my lights and darks and though it doesn't show off quite as well in this post I got the shadows and textures on the snow bvank just like I wanted. Hope I won't have to go back in there as I'd hate to mess that up. The next big challenge will be getting the lights and darks on the bear and make all that work. A lot of the darks blocked in will be Sagebrush and Shrubby Cinquifoil though too early in this setting for flowers. Some grassses will help but to keep it scientific I'll have to be careful with that as a lot of grasses at this time of year will be very mated from the winters snow cover.

This morning I didn't like where things were going so I took out one of the pine trees and enlarged the grizzly. I had put in dark bands of snow in the background shadows but it didn't read properly so out they came. It is looking a lot better all ready.

I haven't done this in a while and several artist friends have drawn my attention to the fact. Recording a painting from start to end. So here is the start of a painting I have been tossing around in my head since last spring. I had taken some photos of a melting snow bank and thought it might work to include a grizzly just emerged from hibernation walking through the sage with this unmelted bank of snow. I have quickly sketched[painted]things in with watercolor mixed with gouache white on #1 illustration board. 15"x24". I have taped 5/8" of the edges with drafting tape. I am planning to use a mat color of some sort this width along with a heavier Oil type frame upon completion. The mat[if all goes as planned will be 3/4". I don't know yet if I will glass it or varnish with a watercolor varnish.

I do wish all my friends out there a very Merry Christmas and it is my hope that God's blessings will sustain you abundantly this coming year.

I have been working on this Oil Painting for about 3 weeks off and on and is a commission job for a collector I actually met on the trail out of Dubois a few years ago. It is 18"x24" and done in Oil from a photograph this fellow had taken. It was a great photo so well depicting the glacier country with Gannet Peak[highest point in Wyoming at 13,814']Such a beautiful area but sure is a job getting there. It was pure pleasure painting this scene.

SOLD

I have just finished this 8"x10" Oil Painting that I call "Monkey Flowers at Lakes edge".

This is a very beautiful wildflower that likes wet areas such as along this lake edge or along mountain streams. It also comes in a yellow variety and are often found growing together creating a tapestry of color for stream beds.

Finally a break in the weather. It has quit snowing and as of noon today it is above zero. +8 in fact. Funny how zero seems warm after so many days of below zero including -23 last night at 9:00pm. It must be because of our bodies climitizing?? That is the great thing about Wyoming. So cold one day and along comes a chinook[warm wind]that changes things right away. This little fawn who is enduring his[her]first Wyoming winter does not seem too impressed though. I just did photograph it outside my living room window.

It has turned bitter cold here since Thanksgiving. We have not had the snow some parts of the country have but there is several inches on the ground and with the last few nights at -17 and -18 and highs only to -3 yesterday and hoping to get that warm today we are feeling the effects of it. Ducks and Geese are seemingly enjoying the warmer river water outside my studio window. They look cold but I guess that warmer water is better than sitting out on the cold ground. Mist rising from the warmer water into the frigid air makes for a really surreal looking scene. All the trees and brush along the river are dressed in a heavy coat of frost and snow. It really is beautiful and some great painting opportunities. I just might have to try something with this photo I took.

My painting has really slowed down as I seem to be having trouble getting the swelling down on my foot to be able to start therapy on it. This morning I went to the Therapist practitioner and he put me in a vecroed getup from my knee to my toes. It is a nice massage type machine and in 30 minutes it was a wonder what it did. He sent it home with us so that might be pretty relaxing way to spend this afternoon.

I also have really slowed down on my Painting-a-Days. Will get back to them as soon as I can. Thanks all for your e-mails and comments. They really mean a lot to me.

God bless and Merry Christmas all.

I have been working on several small [8"x10" Oils]paintings of wildlife and have just finished this Mule Deer Buck in the snow. I had hoped to have several ready for the National 2-Shot Goose Show next weekend but we are loading out for it today so I have run out of time. I did this painting on a Raymar canvas panel.

Rock formations east of Shoshonie, Wyoming on way to Casper.
Tuesday afternoon my wife and I headed to Casper where yesterday morning I got to go to the surgery center at the Bone Doctors offfice where I was put out for about 10 minutes while they pulled out the hardware in my heel and then into a boot cast which is actually heavier than the cast I had on but it is removable. And that is a plus while sleeping. The fun part will be monday when I start physical therapy. I was given a prescription for pain pills but so far-knock on wood-I haven't needed them. I hear I will for the therapy sessions.
Our trip to Casper was uneventful but the return yesterday afternoon was not fun. A good old fashioned Wyoming blizzard hit and it was 200 miles of wind driven snow and temperatures falling to the single digits. It was 35-40MPH of white nuckle driving for my wife. Needless to say it was a long trip.
A side story:
JonRobinett, husband of Deb Robinett who does the amazing wildlife photography in our gallery,who is the ranch manager of a ranch NW of Dubois was relating my heel problem with an old rancher in southern Wyoming near where he was working at the time. It seems this fellow had an injury not unlike mine but thought that cast was hindering him from doing his ranch work so with a hammer and chisel he got the cast off only to discover the pins that stuck out from his heel in various directions. Now this really hindered him and he set off trying to remove them. When Jon came by he asked Jon if he would with the vise grips pull those suckers out as everytime this old timer tried it he would faint. Jon set out to explain to him that they were actually screwed into his bone and no way would they come out by pulling them. I don't think the Doc was too happy with our "hero" cowboy. Can you imagine?

WARM SPRINGS CREEK

14"x18" Oil Painting

I have finished this painting after several days of work on it. It is from a stream SW of Dubois and one of the forks of the major tributary west of Dubois of the Wind River. A very special place and teeming with trout. So named for the warm springs that feed into the creek and are such that it keeps the Wind River from freezing during the winter for up to 15 miles east of town.

This is a great time to be reflective on what it means to be Thankful. We had a great Thanksgiving with my wifes parents the only family that was able to make the trip to Dubois. That didn't hinder the intake of food in the least. We were as stuffed as the turkey we stuffed. The weather was great for travel if even a little too mild for this time of year.
Reflecting back on this year it was a time when I could really say for sure that I had beaten cancer after a 5 year battle with my last surgery this past spring and even though I messed myself up with a nasty fall this fall my heel is healing and I will have the rods and pins removed this coming week. I still feel so fortunate with the health I have struggled with just in the fact that our God has blessed me with a wonderful family and I have been able to fight through things. Whenever I got a little down the past several years all I had to do is look at a number of others around me who are having a far tougher time than myself. We had a great year in our gallery and I have been able to make a living with my art for many years.
We held our annual Gallery Holiday Show yesterday and although attendance was down a little from previous years we had good sales. [Check out the Silver Sage Gallery blog]
Yes. I do have a lot to be THANKFUL for.

The 2-Shot show also has a number of purchase Awards associated with it. This will be an entry for one of those awards.

INCOMING CANADIANS

10"x20" Oil Painting

Along with my Yellowstone series paintings I have recently been working on I have done several paintings for the upcoming Natl 2-Shot Goose Show in Torrington, Wyoming which commences the second week of December. There is no fee for artists attending nor commission taken but they do require a painting for their auction of which the artist still receives 50% of. Quite a deal. This is my just completed painting I am submitting for the auction.
EVENING MALLARDS
12"x16" Oil Painting

MOUNT MORAN EVENING
18"X24" Oil Painting
I have been trying to decide just when this painting has been brought to completion. I have spent the last 4 or 5 days thinking it was only to go back and do a little more work on it. I think this should do it though.
Many times Elk can be found just off the hiway that runs the valley of Jackson Hole and it is a pleasure to watch Elk on the Antelope Flats area. Here a Bull courts his harem that he has gathered with much work and perseverance as evening approaches after a rain shower that has mists coming off the canyons that skirt Mount Moran. [Mount Moran was named after Thomas Moran the artist that accompanied one of the earliest scientific explorations to this area and Yellowstone and from this trip began the idea of National Parks that we so cherish in our country and world today.

MULE DEER SHADOWS

16"X20" Oil Painting

I have just completed this oil that I have been painting off and on along with 5 other paintings the past few weeks. They all seem to be at the point of completion about the same time.

It seems that my blog comment has been discombubalated[is that a word?]Hopefully I have it fixed and do appredciate all comments on my work.

This is a just finished Oil Painting, 12"x24", Buffalo River Moose.

It is a scene from Moran Jct where the Buffalo River emptys into the Snake River and rather than show off the Tetons to the west I have focused on the cottonwoods and looking east towards the Mt Leidy highlands.

SOLD

I dug this old painting out of my "Maybe Someday File" and reworked it a little. I think it is now presentable.

It is a scene along the Green River in western Wyoming NW of Pinedale, Wyoming.

ON THE GREEN RIVER 10"x20" Oil Painting

I have actually been fighting with this painting way more than I do with many of my pieces. The landscape was no problem but I have wiped out and added to the elk a number of times. I still wanted to keep them in here as I think they added to the scene and were needed to use the large lighted space on the left.
This is an Oil Painting 12"x24" and another of my Yellostone series I am working on. The setting is near Madison Jct east of West Yellowstone, Montana and is an area where elk can easily be found particularly during the rutting season. I spent quite a bit of time this past September following a lone bull who seemed to be pretty large but I am guessing he was getting along in age as he couldn't seem to gather any cows. There were several other bulls around with large harems but this fellow one morning had either stole or found several cows and a calf to call his own. I'm betting he didn't keep them long.

In continuing my Yellowstone series, I am currently working on 5 different paintings. Several are now nearing completion and I think I am pretty well finished with this Oil Painting, SNAKE RIVER GRIZZLY. It is 12"x24". I actually used the area just outside the south gate to Yellowstone as my background. This is along the Sanke River bottoms and I have used the north end of the Teton Mountains as a background. These are the most fabulous meadows and river bottom habitats and make for the greatest source of inspiration and painting opportunities. We spend quite a bit of time in various seasons here and this is not the first time nor will it be the last time I will use this area in paintings.

I have been working pretty diligently on this Oil Painting, BEAR CREEK MORNING, 22"x28" image size and will be my entry for one of the Purchase Awards at the Two-Shot Show in December. This is the larger award which I won last year so am trying to make it two years in a row. For those who follow my blog you may recognize my love of Bear Creek which is so spectacular in the fall with such great compositions and contrasts of color and value of Dark Spruce and light enhanced Cottonwoods. Particularly in the evening and mornings.

I have just completed this 16"x20" Oil Painting, FIREHOLE FALL and is one of a series of paintings depicting Yellowstone National Park that I am currently working on and really excited about. Its wildlife and scenic wonders. This painting is from along the Firehole River just south of Old Faithful where the Firehole River slowly flows snake like across meadows of golden grasses in the fall. Elk and Bison are abundant here and especially make a beautiful composition and detail to the fall scene.

The Firehole River was named by the earliest expedition into Yellowstone not because of all the hot water flowing into it but because of a Forest Fire that had just preceded the expedition that named it. It was caught in the fires of 1988 but is recovering remarkably and is as beautiful as ever.

I have my new deck and cover pretty well finished thanks to my Gallery Pardner, Tom Lucas who is a master carpenter. This was the project that innocently left me to my present demise. Crutches and all. It is sure a great addition to the studio though.

I have put the finishing touches on this Oil Painting I call, DOWNS MOUNTAIN. It is a 9"x12" Oil Painting and is a view from several photos I took earlier this fall from Horse Creek looking towards the Wind River Mountins and Downs Mountain which is over 13,000 feet elevation and is the location of the northern most glaciers that make up the largest continuous glacial fields in the continental United States.
SOLD

I have just completed my first painting since my injury and am amazed at how long it is taking to do art under the circumstances I find myself in. Pretty uncomfortable. We take so much for granted when things are rolling along. It is surprising to me that something as simple sounding as a crushed heel can create such problems. I have several other paintings started but am just happy to be able to post this piece. It is a painting of Yellowstone from some photos I took earlier this fall and thought I would add in the snow. The scene is of the Midway Geyser Basin and I call it "NOVEMBER1 AT MIDWAY". The painting is 12"x24" Gouache watercolor

An update on myself.
Am in Casper again and got checked out yesterday by the Orthopedic Surgeon and said everything is looking good. Will be back in 4 more weeks for more x-rays and another two weeks I get put back to sleep again to remove screws then back to cast. Worst part is I get to put no weight on foot till middle of January so will be improvising a way to get back to painting. Have several ideas but am sure experimentation is in the immediate future. Had to cancel out of a show this past weekend and am trying to figure out how to do a big one first of December.
Thanks for all the e-mails and good wishes from everyone.

I apologize for getting back to my blog after an extended absence.
I had a pretty nasty fall last week while doing a bulding project on my studio and home. Seems I have pretty well crushed my heel and partly crushed a vertebrae. Ended up in the emergency room in Lander and yesterday in Casper where I Have now been sent home to get the swelling down befor probable surgery next week in Casper. I have been told that I can pretty well forget this fall and maybe most of this winter. First bone I have ever broke.

Apparantely I have been given the Kreativ Blogger award from Diane Marshall. Thanks Diane. Now I am trying to figure out how this works. I notice when Diane posted what she was to do with it she had 7 artists to whom she passed it on to. and by clicking onto their names-their blogger sites came up. Guess I don't know how to do that so I will post the 7 names that I feel have been particularly helpful and to who I think have special painting passion for their work.

First I am to list 7 things about myself.

1. My college background is in Biology and Art. Biology in the sense of wildlife habitats and the ecology of wilderness.

2. In my early work life I did Highschool textbook illustration and a College Botony book on Paleo-Botony.

3. I once worked in a print shop doing art layout and design.

4. In highschool I cowboyed and worked in the mountains at a church Camp.

5. I have a wonderful wife, Two daughters, 6 Grand children and 2 Great Grandchildren.

6. I have a great love for my creator and a passion for the life I lead.

7. I am terribly alergic to Peas, Onions and green peppers.

7 of the Blog Artists I have come to really appreciate. Does this have to be only 7?

1.Gwen Bell, who has such great talent and a wonderful means of expressing it.

2. Peter Brown another very gifted artist who has wonderful insight and knows where he is going with his art.

3. Liz Holm who has such courage and does the most amazing work with all she has going on in her life.

4. Leslie from Dragonfies. A Photographer who has such a great way of expressing her love of the desert and its creatures.

5. Sheila, the Forensic artist who has such energy in both her life and in her art. It is contagious.

6. Candace Moore, a student who is doing the most marvelous art work and still seems like a true human being. She will be heard from.

7. Holly Bedrosian, Such talent and seems to be a very poised young woman. She is doing great things and is being heard from.

All these folks are an inspiration to me. I could list others but had to settle for 7. And I categorize all these folks in the same category and certainly not No. 1 through No. 7

http://www.silversagegallery.com

At the end of the quick-draw my wife and myself headed for Yellowstone and spent several days there. Research and working with the wildlife were a way of relaxing and enjoying ourselves after the art world of Jackson. We stayed at West Yellowstone and as the road from Madison to Norris is closed we essentially hiked and photographed the area from Old Faithful to West Yellowstone. We did go up the Norris road that was being shunned by the tourists thinking the shole roasd was closed and found the whole region all to ourselves and critters galore enjoying what critters without toursts do such as this Cow Elk and her two fawns enjoying a run through the meadow. I took 445 photos. Elk, Buffalo, Coyotes, Eagles, Geysers,and general landscapes. All great research for future paintings.

Finished and framed. Sorry for the reflections in the glass.

I drew #26 out of 32 artists for placement in the auction. Boy is that nerve racking waiting for your turn and watching a lot of art bidding out way lower than in former years. Guess it is the economy. There was a lot of art less than $1000.00 and that just doesn't happen. Mine went for $1300.00 and what with the bids I felt fortunate to receive that. The artists receive 50% of the bid so still not bad for an hours work.

http://www.silversagegallery.com

well into the hour I am nearing the finish. My painting is of Mt Moran in the Tetons with changing Aspens. I did throw a doe deer looking out from the tree edges. It is a Gouache Watercolor.